The Captive
Came out; 2014
Time; 1 hours 52 minutes
Watched: Netflix
Rating; R for language and some violence
IMDB Rating; 5.9/10
Caution; Spoiler Alert
Staring.
Ryan Reynolds as Matthew Lane
Scott Speedman as Jeffrey Cornwall
Rosario Dawson as Nicole Dunlop
Mireille Enos as Tina Lane
Kevin Durand as Mika
Alexia Fast as Cass Lane
Story Line.
Teenager Cassandra is locked up against her will unable to contact her family to let them know she's still alive. Flashback to eight years ago when 9-year-old Cass was abducted from her father's truck and he goes straight to the authorities who immediately peg him as the prime suspect. Eight years later, her father, Matthew, is still being investigated by the police who are also trying to crack the bigger problem of crimes against children, Matthew's marriage has deteriorated and leads in the case are hard to come by. So much time but so little has changed and it's going to be up to Matthew and Cassandra herself to repair the estranged family
Thoughts.
The previews show all the good parts to this movie
It goes back and forth from the past to the present and is super confusing. It's slow and not climatic at all.
CAUTION; Major Spoiler Alert
(NOTE:
The story is told in a non-linear fashion. Many scenes in the movie
are flashbacks, which are likewise not in chronological order.)
The
camera pans along snow-covered landscape and into the home of Mika
(Kevin
Durand), who stands
near his window while Japanese Kabuki opera plays on a wall-mounted
TV screen. As Mika walks downstairs, we can see his home is an
expensive luxury house in a secluded area, but with a lot of
state-of-the-art security and technology. He looks into the monitor
of a desktop computer, which appears to show the view of several
security cameras. He slides aside a wall panel to reveal a hidden
door locked by a numerical code. Mika enters the code on a keypad and
opens the door, revealing a room where a teenage girl (Alexia
Fast) sits, playing a
piano and singing. She looks up at Mika apprehensively, and he says
he'll think about a request she's made of him: "Maybe; just this
once."
A woman named Tina (Mireille
Enos) enters a diner,
sitting at a table opposite an unseen woman. Tina didn't show at a
planned meeting, which the unseen woman asks if it's because of "her
13th birthday." Tina is living alone in a house and hating it.
She misses two people in her life: Matthew and Cassandra, and she
misses living.
A bearded man watches a younger man skate at a
rink. The skater notices the bearded man, and they both nod in
greeting.
The bearded man is Matthew (Ryan
Reynolds), and he
drives down a road, picking up a hitchhiker named Paige. As Matthew
continues driving, Paige turns her head and notices a photo of a boy
and girl posing together in skating outfits, hanging from his
dashboard. The boy in the photo looks a lot like a younger version of
the young man Matthew recognized at the skating rink.
Matthew
drives Paige to her house in town, and watches as she closes the door
behind her. Just then he gets a phone call from Tina, asking if he's
coming to a meeting with another woman, who's asked to meet both of
them. Matthew cites the heavy snowfall as to why he can't make it.
Tina tells him he always has excuses. Tina mentions she's noticed a
brush like the one her mother gave Cassandra, "in one of the
rooms;" Tina works as a chambermaid in a hotel. As she sits,
puzzling over the brush, Mika is seen watching her on his computer
monitor.
Mika is at work talking with his boss, Vince Grey, a
real estate developer. Mika watches Grey give a sales pitch to a man
standing near a wall display advertising a new development, and
listens with interest as he finds the man is a police detective, Jeff
Cornwall (Scott
Speedman). Cornwall
asks Grey about his wife, who was the last person seen with another
detective named Nicole Dunlop (Rosario
Dawson), who has gone
missing. Grey says he'll ask his wife to return Cornwall's calls and
speak to him on the matter. He also gives Cornwall two placards
advertising a charity ball that recently took place; the placards
have a large inset photo of Dunlop in dress uniform. She was keynote
speaker at the charity ball.
Dunlop is shown to be the woman
speaking to Tina at the diner. Dunlop asks if there's any hope of
Tina getting back together with Matthew. Tina says he calls and they
talk, a lot, but he never comes to see her in person. Tina believes
Matthew is guilty of doing something bad, and she wants him to feel
that way.
We see Dunlop interviewing Cornwall for a position
in her unit with the Niagara Falls PD. Dunlop's unit deals with
stopping child predators and pedophiles. She shows him a video seized
from an online child porn site to judge his reaction, telling him
their job is never to look away from victimized children. Dunlop
introduces Cornwall to the rest of the unit.
Matthew and Tina
are watching Cassandra and the boy from the photo, Albert, skate
together. Cassandra asks Albert to 'pinky promise' he'll never skate
with anyone else. While Tina goes to work, Matthew drives Cassandra
to a roadside restaurant, and she lies down across the back seat
while he places a dinner order to go for the both of them. The camera
pans in on the door, and then Matthew is seen returning to his
vehicle-- and his daughter is missing. Matthew's voice becomes more
frantic as he runs all about the area, calling her name.
The
teenage girl is shown to be Cassandra at her current age; she's
Mika's captive, and has been since she disappeared; now eight years
ago. Mika is offering her a chance for a few moments' conversation
with her father. Cassandra notes Mika doesn't like the idea, and
reminds him that he's never told her his name, and she has no idea
where the house containing her prison, is. Cassandra has not
attempted to escape or contact her parents (she is also able to watch
Tina at work in the hotel, on her own computer) because Mika has
threatened to kill both Matthew and Tina. Cassandra wonders if it
wouldn't be easier for Mika to kill her, now that she's reached young
adulthood and Mika is interested in young kids. Mika tells her only
that she's still very valuable to him, 'doing exactly what she's
doing.'
Dunlop and Cornwall are interviewing Matt three hours
after Cassandra's disappearance. He's disgusted and astounded at how
closely they pay attention to his first saying her still-current age
(nine years) and then shortly after, her soon-to-be-age (ten years)
and whether the name of the diner's hostess was Linda or
Lesley.
Tina is cleaning a bathtub while at work, and sees a
skating trophy in the room; one looking a lot like one that Cassandra
and Albert won together as kids. As Tina stares tearfully at the
trophy, Cassandra speaks into a microphone about when she won it.
Mika, listening in, commends her on the performance, but asks her to
repeat it 'with less self-pity.'
Tina is brought to the
station. She becomes hysterical as Matthew tries to talk to her about
Cassandra's disappearance. She hits him several times, and doesn't
resist as he grabs on to her and holds her. Dunlop takes Tina into a
room to speak to her alone. As Dunlop speaks to Tina, Cornwall baits
Matthew about an assault charge tied to a barroom brawl over Tina
when Matthew was 18 years old and Cassandra was a baby. Because of
this, he quit school, started working, and now, nine years after
that, his landscaping business is about to fail and he's on the verge
of bankruptcy. Cornwall also questions why Cassandra would be resting
in the back of the cab when Matthew was buying her favorite dessert
pie for her with dinner. Cornwall finally drops a rude and crude bomb
about the possibility of Matthew "loaning" Cassandra to a
demented pedophile for a few days in return for a lot of money.
Outraged, Matthew tries to hit Cornwall, but the detective shoves him
to the ground. As Matt leaves, Dunlop admonishes Cornwall over his
behavior.
We see Dunlop meeting Tina in the diner again;
Dunlop telling Tina that she doesn't excuse the way Cornwall acted
toward Matthew, but trying to explain it from Cornwall's point of
view. Tina still hates it, defending Matthew's love of Cassandra. She
leaves the diner, very upset.
Mika again watches Tina at work.
As she changes bed sheets, she finds a ring box on the bed, which
contains a baby tooth. Tina breaks down and cries as she suspects
it's one of Cassandra's baby teeth. Meanwhile, Cassandra makes a
recording about it. As she speaks into the microphone, she finds a
way to slip something into the narrative; part of a word play between
she and her father the day she disappeared. She smiles to
herself.
Tina meets with Dunlop in her office. Dunlop asks
Tina about her relationship with Matthew. Tina says she can hardly
look at him without seeing their daughter and saying terrible things;
he didn't show up for this meeting because he was sure Tina would
scream at him in anger; something Tina admits she would probably have
done. It's clear by this point that Matthew is still suspected of at
least negligence in Cassandra's disappearance, and even Tina holds
him responsible; thus their estrangement and separation.
Dunlop
takes Tina to a back room where Cornwall sits at a computer. Dunlop
and Cornwall tell Tina about some of the work Cornwall does, posing
as a pedophile to study footage of internet chat networks where child
molesters trade in images and live video feeds of children being
abused, in hopes of tracking down the perpetrators. Cornwall believes
he may have seen some images of Cassandra among the feeds. The
pictures look very recent, showing what Cassandra is believed to look
like in the present, which Tina understands, with great relief and
delight, means her daughter is most likely still alive.
Tina
studies the images and says that she believes the photos look like
Cassandra. She calls Matthew and tells him about it. She says that
Dunlop and Cornwall told her that in the images, Cassandra appears to
be speaking to another girl, younger than Cassandra would be in the
present. Tina puzzles over something else Dunlop and Cornwall told
her: that Cassandra is like a welcoming face on a gateway... to a
ring. Tina's voice goes quiet as she figures out what they meant:
Cassandra is being used to lure other, younger children to the
attentions of Mika and other child molesters. This enrages Tina and
she again cuts into Matthew with her belief that he is responsible
for 'losing' their daughter.
Cassandra is reading aloud a
poem, which Mika tells her is from an opera composed by Mozart.
Cassandra asks how it's supposed to help bring in other kids, and he
says it isn't; it's part of 'story time.' Disturbed, Cassandra turns
to her piano and tries to comfort herself by playing and
singing.
Tina, at work, finds another memento of Cassandra in
one of the rooms under her charge: a play teacup and saucer. It's
clear by now that both Mika and Cassandra are able to watch her
regularly on their computer monitors via some kind of camera feed,
and that Mika has been leaving these items to torment her.
Dunlop's
team are photo shopping an image of her during her adolescence, to
optimize her attractiveness. They catch the attention of Willy (Ian
Matthews), a pedophile
to whom Cornwall has been talking via internet chat, posing as a
girl. Willy bites at the bait; he asks "Nikki" if they can
meet.
Dunlop sits at a coffee shop, her hair and the hood of a
bubble-gum pink sweatshirt obscuring her face. Willy walks in and
initiates contact. As soon as Dunlop looks up at him, he can see
she's much older than the photos indicated, and he tries to make a
break for it, but Dunlop's men are waiting and they swiftly arrest
him.
Dunlop and her team come to a good deal of acclaim and
prestige for their work in the Niagara area, and she's interviewed by
the local TV press. Dunlop and Cornwall are seen watching this on the
TV news station, and it's seen they've entered a romantic
relationship.
Mika also sees the news report, and goes to see
Willy in prison. He insists that only the first ring has been
cracked, and the 'hub' he operates is safe. He tells Willy to deny
all accusations and refuse any deals offered him. Willy insists he
will only do this if Dunlop is punished for setting him up. Mika says
this is unfeasible, but Willy insinuates that he will turn rat if his
demand is not met. He wants her buried, but alive, and made to tell
all her stories.
Cornwall is also doing another sting
operation: his young niece, Jennifer, is web-chatting with Cassandra.
As soon as Cassandra tells Jennifer that she's willing to meet with
the girl and show her how to write a note for the tooth fairy,
Cornwall's head snaps up and he believes he's ready to hit pay dirt.
But suddenly Dunlop arrives, earlier than expected, and even when
Cornwall tells her that his brother (Jennifer's father) knows of
Cornwall's plan and has given permission, Dunlop gets very upset.
Mika sees Dunlop come into view of Jennifer's webcam, recognizes her,
and immediately terminates the chat connection. However, a green LED
remains lit, showing that Mika can still see and hear everything
happening in the room via Jennifer's webcam. He watches and listens
as Dunlop tears into Cornwall over the sting, and using a young girl
as bait, potentially endangering her. Mika also learns that Dunlop's
unit knows what Cassandra is being used for. Most important, he
overhears Dunlop telling Cornwall she no longer wants him to
accompany her to an event happening that night; she's going
alone.
Cassandra also overhears the whole argument between
Dunlop and Cornwall, and she starts to cry.
Dunlop arrives via
taxicab at the charity ball honoring her. She's wearing a pink
evening dress and looks beautiful. She's met by Diane Grey, wife of
Mika's boss. Dunlop has been given a seat at Mrs. Grey's table. Mika
comes over to say hello to Mrs. Grey, and he plays along as she
introduces him to Dunlop. Mika now has a perfect cover as a known
acquaintance of Mrs. Grey.
A mysterious woman with long dark
hair enters the ball. She takes a powder out of her purse and puts it
in her drink as she listens to Mrs. Grey introducing Dunlop as
keynote speaker of the charity ball. The only empty seats are
Dunlop's (she's on stage) and another at the same table. As Dunlop is
speaking, the mysterious woman sits at Dunlop's seat and puts her
drink down. Mrs. Grey whispers to the woman that the seat is taken,
so the woman moves to the other empty seat... discreetly taking
Dunlop's drink instead of the one she just put down right beside
it.
Dunlop's speech earns a standing ovation and a high number
of pledges. Seated again at Grey's table with Grey, Mrs. Grey, Mika
and the mysterious woman, she talks about the technology she and her
unit work with; something Mika takes the opportunity to ask her
about. In the meanwhile, Dunlop has finished her drink and Grey has
poured her a second. The powder starts taking effect.
The
mysterious woman helps Dunlop downstairs and out of the center, and
offers her a ride. She helps Dunlop into a limousine and sits beside
her in the back. There, she pulls off a long dark wig, revealing
short, blonde hair underneath. The woman is Mika's accomplice, Vicky
(Christine
Horne). Dunlop realizes
she's been drugged and is in serious trouble, but can do nothing as
Vicky cradles Dunlop over her lap and watches her slowly black
out.
Matthew is delivering a shipment of evergreen saplings to
a work site, only to find the foreman has sent everyone home due to
the snowstorm. He tells Matthew that there's a roadside motel a very
short distance down the highway where he can spend the night; if he
brings a receipt back to the camp the next day, the foreman will
reimburse him the cost.
But when Matthew checks out the next
morning, he finds the trailer has been stolen, and one of the trees
lies on the ground near his truck. When he happens to look in the
direction that the top of this tree is pointing, he sees a number of
the trees stood up in the snow along the road, forming a trail. He
gets in his truck and follows it. As he reaches the end of the trail,
where a barricade has been placed, he fails to notice a camera in the
top of a nearby tree.
Matthew follows the last couple of trees
on foot to a clearing where a young woman stands near the trailer.
It's Cassandra. Matthew is overcome with relief and joy as he hugs
his daughter. Cassandra tells him cryptically that the people who
took her arranged for this meeting because she's precious to them,
but she only shakes her head silently when he tries to press her to
say who these people are. Matthew doesn't understand when Cassandra
begins repeating bits of the conversation they had in the truck just
before her disappearance, saying a promise was made, and asking if it
was kept-- a cryptic reference to whether Albert kept his promise
never to skate with anyone else. Finally Cassandra says the visit is
over, and she has to go, and Matthew has to forget her. He refuses,
grabbing her in a tight hug and insisting he's taking her home. Mika,
coming out of hiding behind the trailer, aims a rifle and fires a
tranquilizer dart into Matthew, knocking him out. Cassandra doesn't
resist as Mika helps her to her feet and leads her away.
Mrs.
Grey meets with Cornwall to discuss Dunlop's disappearance. The only
lead is the mysterious woman who showed up at the ball. Mrs. Grey
mentions she took the only empty seat at the ball-- the seat that
Cornwall was supposed to occupy until Dunlop decided not to bring
him. Cornwall lets this slip, and Mrs. Grey asks if the mysterious
woman knew this. She thought nothing suspicious about the mystery
woman offering Dunlop a ride, because Dunlop needed one and was
traveling alone.
Driving down the road, Matthew figures out
why Cassandra was repeating snippets of their conversation from the
day she vanished; she was making references to Albert. He understands
Cassandra wants him to pay attention to Albert; hence why he watches
Albert practicing at the skating rink.
Dunlop awakens to find
herself locked inside an empty van with heavy wire grates preventing
her from escaping via any of the windows or doors; a van meant to
remind her of one she had talked about having to sleep inside on her
14th birthday when she had been homeless and alone. Mika
falsetto-sings the notes of an opera that Dunlop can hear through
strategically placed speakers. Although Dunlop cannot see it from her
vantage point, the van imprisoning her is in a garage or large
storage room.
On duty at work again, Tina find yet another
memento of Cassandra's childhood; a series of pinwheels attached to
the railing of the balcony for one of the hotel rooms. Tina breaks
down and starts to come apart.
Mika torments Dunlop further by
pressing her to start talking more about her stories, including how
she had to sleep in the abandoned van when she was 14. He warns that
if she doesn't talk, he might stop returning, and leave her to die of
thirst and starvation.
Tina has called Niagara police. She's
with the hotel manager in the room where she found the pinwheels, and
Dunlop is studying the room. An air vent catches her attention, and
she pries off the cover to reveal a hidden camera.
Dunlop's
men have found an elaborate series of hidden cameras in all the rooms
in the hotel where Tina works, and are discussing why they were put
there. They theorize that Tina may have been watched for a long time,
even though the mementos of Cassandra have only started showing up
relatively recently. They theorize that people involved in the
child-abuse network pay to watch the footage of a missing girl's
mother gradually freaking out.
Matthew arrives home where Tina
waits with Dunlop and Cornwall. When they tell him about what's been
going on at Tina's job, Matthew only becomes angry, thinking they
suspect him. He challenges Dunlop to arrest him if she thinks he's
involved in any criminal activity. As Matthew leaves, he finds
Cornwall taking pictures of the inside of Matthew's truck, which is
still decorated with many items related to Cassandra's childhood;
including the picture of her and Albert, and the blanket Cassandra
had lay on when she was taken. Cornwall asks why the truck resembles
a shrine. Matthew's only response is a punch that knocks Cornwall to
the ground, before Matthew gets in his truck and storms off.
In
her room, Cassandra is telling Mika she needs to feel new
experiences, now that she can't watch her mother anymore. She reminds
Mika of a particular story she told him about when she won the trophy
and showed it to her mother, how Mika said it was the most moving
story she told him. Cassandra suggests making it better. Interested,
Mika asks her how.
Vicky goes to the skating rink where Albert
still practices, and poses as a journalist writing an article about
missing children and the people involved in their lives before they
disappeared. She tries to ask Albert about his time skating with
Cassandra, and whether he kept the trophy they won. Albert is hostile
to this questioning and refuses to speak to Vicky. As Vicky leaves,
Matthew, seeing Albert demand that Vicky leave him alone, goes to him
and asks why Vicky was bothering him.
Matthew begins tailing
Vicky and sees her van pulled up beside a small roadside diner. He
calls Dunlop's office and tells Cornwall about the van, and that he's
going to secrete his cell phone in it. He gives Cornwall the phone's
number, which will allow others in Dunlop's team to track it via GPS.
Although Cornwall is still cynical toward Matthew, he and the team
find they believe him enough to start a track on his phone. Matthew
slips his phone into the large spare tire mounted on the trunk of
Vicky's van.
Matthew begins acting in a disruptive and hostile
manner to the diner manager in order to make him call the police.
Finding a poster of Cassandra, he takes it and sits at the table
where Vicky and Mika are talking. He is careful not to voice his
suspicions about them, but shows them the poster and identifies
himself as Cassandra's father, and that he is displeased with police
having dragged their feet on the investigation for so many years.
Vicky acts compassionate toward Matthew as she and Mika try to
accommodate him. The diner manager tells Matthew that the police are
on their way. Matthew leaves, and Vicky suddenly notices that in the
distraction, he lifted her cell phone.
Mika and Vicky pursue
Matthew, ramming his van and shooting at him, but he makes it back to
the diner where a police van has pulled up, forcing Vicky and Mika to
leave. Dunlop's team tracks the van and discovers where Mika
lives.
Dunlop's team storms Mika's home. Mika had been leading
Cassandra out of her room. They hear the police, and Cassandra tries
to scream. Covering her mouth, Mika forces her back into her room,
but is unable to lock it before Dunlop's team arrives. Vicky shoots
Cornwall, but his vest protects him; he's wounded but not badly.
Vicky is gunned down and killed. Mika begins walking toward the
officers with a hostile look. When he refuses to halt on command,
they shoot him. An officer demands to know where Dunlop is. Mika only
says that she's in a van where she had her 14th birthday, before he
dies.
Cassandra is rescued, and has a tearful reunion with her
parents at the police station. Tina even hugs Matthew with one arm as
she embraces Cassandra in the other.
Cassandra and Tina visit
Cornwall as he recovers in the hospital, and he talks about Dunlop's
meetings with Tina, how Dunlop benefited from them as well as
Tina.
Matthew clears all the mementos of Cassandra's
childhood, out of his van.
Police find their way into Mika's
garage and find the van in which Dunlop is held prisoner but she has
already died from the cold.
Cassandra steps onto the ice in
the skating rink and starts to skate, and she smiles.
No comments:
Post a Comment